Kodak 1971: Some logos don’t need to change. This 1971 version was resurrected in 2016. If you look hard enough you can nearly see the original ‘Eastman Kodak Company’.

Lego 1972: For a block-based business to have a soft logotype says a lot about the vision and imagination behind it. This is the logo everyone knows as Lego.

Sony 1973: If you like slab serifs, this sets the benchmark for its classic simplicity.

Led Zeppelin 1973: There are too many great band logos (Rolling Stone, Iron Maiden, Kiss, Queen, ABBA, Pearl Jam, The Who, The Clash, The Beatles, Buzzcocks) but for craft, Led Zeppelin takes it.

NASA 1975: Even though the ‘worm’ logo was retired in 1992, it’s the one people remember and it’s the granddaddy of squiggly logos.

Apple 1976: Brilliant name, brilliant logo, and there is no going back after the first byte – sorry, not sorry.

Sex Pistols: This logo says everything about 1976, and Jamie Reid’s ‘hostage’ lettering was genius.

I love NY 1977: A classic logo from a classic designer – Milton Glaser

Zildjian late 1970s: I always loved the cursive, slightly mystical script and when I discovered the Turkish heritage of the business, I simply loved it more.

Absolut Vodka 1979: I was surprised to discover this iconic brand identity was developed in 1979 as it went on to define spirit chic in the 80s and 90s.

1980’s: Print technology was maturing but creativity was still largely expressed through drawing.

Stussy (early 80s): Created in the early 1980s by Shawn Stussy, the founder of the streetwear brand (and surfboard shaper). It defined a lasting graffiti spirit.

MTV 1981: This appeared to be the first logo that opened the idea of consistency through flexibility.

Channel 4 1982: For decades there were only three channels in the UK, so when the channel 4 logo came along, you knew the content was going to be different.

La Caixa 1982: What a brilliant idea for a Basque Bank to leverage Juan Miro – just brilliant!

Espana 1982: Twice in one year for Juan Miro – that’s just greedy.

Jones 1985: Seeing the carrier bags around Covent Garden was everything about cool.

WWF 1986: WWF had been using a panda since 1961 but the 1986 design by Jenny Leibundgut at Landor is considered one of the best logos of all time – I agree.

Air Jordan 1988: Under the design direction of Tinker Hatfield. This is arguably the silhouette that made Nike.

First Direct Launched in 1989 by HSBC. first direct promised simplicity through a beautifully understated name and logo.

V&A Museum 1989: Alan Fletcher crafted this piece of elegance.

1990’s: The decade that allowed personal computers to open everything up. This was the decade where technology unleashed creative hands

The Pixies 1991: Vaughan Oliver was a cult hero and everything he did was full of an ethereal craft that came from another world.

BT 1991: The BT piper heralded in a new wave of figurative logos.

The National Lottery 1994: It’s everyone’s logo

Orange 1994: ‘The future’s bright, the future’s orange’. So ambiguous, so clever. Now that was a teaser campaign.

FedEx 1994: from abbreviating the name to FedEx, to the iconic logo, just brilliant. Lindon Leader who was a senior design director at Landor Associates is attributed to this piece of genius.

RAC 1997: It seemed like the first in a futuristic genre of logotypes – it copied nothing – sorry Jaguar

National Geographic 1997: Who knew that a simple rectangular yellow frame could travel so far?

BBC 1997: it’s … definitive words and pictures in a logo.

Pathe 1999: Irreverently French – love it!

100% Pure New Zealand 1999: I was working in Wellington at the time, and this logo was just awesome aye.

2000’s: A brave new world of platforms and tools.

Dopod 2003: The definitive ‘round lettered logo’. not immediately obvious but so cool for one of the first convergent mobile / PDA devices.

Uniquely Singapore 2004: A beautifully crafted destination logo that reflects the sophistication of its multicultural blend.

Rapha 2004 another era-defining logo, that made MAMILs smarten up!

Unilever 2004: Paul Polman’s dream in a symbol that ‘adds vitality to life’.

Tiger Beer 2005: A beautiful illustration from Chris Mitchell for Design Bridge.

Aboitiz 2006: An entrepreneurial conglomerate, whose logo illustrates there are always alternatives.

Visit Australia 2006(ish). Captures the earthy spirit of a nation.

Globe Telecom 2007: There are lots of Telecoms Globes but this is the best Globe Telecom.

Jin Air 2008: The budget airline from Korean Airlines has the fuselage of a butterfly beautifully crafted into the negative space.

Dulux 2009: The ‘Let’s colour’ logo, tagline and activation campaign was a step change for Dulux.

2010 to present: As creativity became commoditized, gems are still everywhere.

Instagram 2011: Didn’t we all love the original? And, it’s great when a co-founder designs the logo. It’s a shame that it got dumbed down again and again.

San Diego Zoo 2010: Makes me want to visit the zoo just because of the logo.

Pinterest 2011: Such a great name that translates in a lovely ‘Favicon’ and logotype – another regrettable move to a simpler typeface.

Owl Coffee 2011: Can you see the coffee bean? A beautifully updated heritage brand that drove a dramatic shift in sales.

Cancer Research UK 2012: Interbrand designed this original logo. It confidently captures the collective struggle.

American Airlines 2013: Redesigning an Icon is tough, but the designer crafted a beautiful solution for American Airlines.

Premier League 2016: One of the best interpretations of the big cat and superbly implemented.

Cadburys 2020: I always loved the Cadburys logo and was pleasantly surprised to see such an elegant historic evolution.

F1 2017: Wieden+Kennedy designed the new ‘F1’ logo. It’s great to see an iconic logo get even more iconic.

Kia 2021: Appropriate to finish on one of my favourites. I love the craft in every letter – it completely changed my view of the brand and looks great on every vehicle.

I hope you’ve enjoyed this stroll through logo memory lane and I hope they illustrate that craft is alive and kicking.

Merry Christmas and a Happy New Year and let’s look forward to a creative 2025

The post Issue 50: Q4 2024 appeared first on Tangible.

We want to celebrate people and brands that identify, articulate, and deliver their offers by seemingly leaving no stone unturned in the quest to create exceptional products, services, and experiences for their customers.

When we’re talking about Ideas, Perseverance and Attention to Detail, it may be the celebration of the engineering behind Dyson’s products or the craft that Disney puts into storytelling or a beautifully crafted logo that articulates the ambition of the business.

The key to building exceptional brands may be a combination of many circumstances but we would like to suggest it’s a blend of brilliant ideas, dogged perseverance, and an obsessive attention to detail (with a scoop of luck and timing). We can’t always explain it, but we know when brands have gone the extra mile to deliver.

Dyson – Ideas, Perseverance and Attention to Detail
The story of James Dyson is a daisy chain of brilliant ideas woven with the steel wire of perseverance. It’s interesting that both James Dyson and Phil Knight (Nike) were long-distance runners. James Dyson attributes his determination to his long-distance running.

Before the first bagless vacuum cleaner, while studying at the Royal College of Art (RCA), James Dyson helped design and build an amphibious high speed landing craft with the entrepreneur, Jeremy Fry. It was during this time that James learnt to design and engineer a product from the ground up. After graduating from RCA, James then helped with the sales of the ‘SeaTruck’ from Rotork Controls Ltd.

With the ‘SeaTruck’ success in his toolbox, James Dyson’s next idea came while renovating his farmhouse in the Cotswolds. He was having issues with traditional wheelbarrows, as they were unstable when fully loaded and put high pressure through the central tyre. His solution was the ‘Ballbarrow’, a single piece moulded plastic bucket and a ball for the front wheel. The success was immediate and ‘Ballbarrow’ quickly took half of the UK wheelbarrow market.

James Dyson clearly has a creative mind, but this is tempered with an engineer’s attention to detail and a long-distance runner’s perseverance, which has proved a formidable combination.

‘Dyson’ is synonymous with, the cyclonic vacuum cleaner and this was James Dyson’s next big idea. Its genesis originated in the late 1970’s after James Dyson saw a 30-foot-high conical centrifuge used in a sawmill to remove dust from the air. He believed the technology could be adapted for vacuum cleaners to improve their performance by removing the collection bags. At that time all household vacuum cleaners used collection bags which lost suction as the bags became clogged.

This is where perseverance comes in again as it took James five years and about 5,127 prototypes for the “G-Force” cleaner to be born in 1983. During this time, he was partly supported by his wife’s teacher’s salary. The next hurdle was manufacturing and distribution, as no one in the UK would handle his product (as Dyson disturbed the market for replacement dust bags). So, Dyson launched the G-Force in Japan through a manufacturing license agreement with a company called ‘Apex’. After this initial success Dyson realised that if he wanted to take his innovations to market, he needed to steer the ship. So, together with a bank loan and his life savings ‘Dyson Appliances Limited’ was founded in 1991. James then doubled down by setting up his own manufacturing company, ‘Dyson Ltd’ in 1993.

The 1990s was a story of growth for Dyson and particularly the Dual Cyclone model. Within two years, it was outselling Hoover and began capturing market share rapidly. Other models followed, which generally shrank in size and grew in desirability. Growth also brought the opportunity for Dyson to focus on his passions, ideas, innovation, and engineering. With the appointment of Martin McCourt as the Group CEO, James Dyson focused on growing the product offer. Let’s briefly summarise where his company cast its creative eye.

Washing Machines
With the insight that washing machines take 2 hours to deliver the results of 15 minutes of hand washing, Dyson ventured into washing machines. The result was the ContraRotator, which mimicked hand washing with its two drums rotating in opposite directions. Technically it was a great product, more energy efficient and could tackle larger loads. Unfortunately, at double the cost of competitors’, it failed to capture the market and become a commercial success.

Hand Dryers
Launched in 2006, Dyson’s Airblade Hand Dryer has helped Dyson grow within the commercial appliance sector. By challenging existing products, the Airblade uses Dyson’s digital motor to power a stream of air at rapid speed to dry the hands within 10-14 seconds. It is accredited as the first-ever hygienic hand dryer, using a HEPA filter to eliminate bacteria from the air, and in the process costs less to run than conventional hand dryers.

Bladeless Fans
As first glance the bladeless fan looks like another brilliant idea off the Dyson conveyer belt of brilliant ideas. Who wouldn’t want a fan that you can put your hands or head into? Actually, the concept for a bladeless fan was created by Toshiba in 1981 but it was beautifully designed and popularised by Dyson. The Air Multiplier was launched in 2009 and was included in Time’s 50 Best Inventions of that year.

Lighting
Jake Dyson, the son of James Dyson, is also working for the family business in the lighting sector. The opportunity in this sector is to address problems caused by poor lighting, such as eyestrain, headaches, and decreased productivity, all while enhancing the ambiance with optimal lighting. The lighting division started in 2004 and has moved from Halogen to LED light sources. While lighting may not have received the commercial success of other divisions, Jake says if there’s anything he learned from his father, it’s to “never give up”.

Hair Dryers
32 years after the G-Force, Dyson moved into hair care. In 2016 the Supersonic hairdryer launched to rave reviews, then came the Airwrap, an all-in-one styler and finally a straightener; the Corrale. With all these products the mission was clear, to create products for ‘every hair type, every style with less damage’. It took 10 years and £100 million but Dyson is now the category leader with over 6,000 engineers, scientists, and stylists working globally to drive their mission forward.

Another key focus area is the attention to detail from product design to the marketing and communications of Dyson products.

Dyson’s product designs can be compared with Apple’s, with their sleek and simple outer appearance that belies the sophisticated technology concealed within. The naming of their products captures both the category and technology incorporated within the product. Who knew what a neodymium magnet was before the cyclonic vacuum cleaner came along. Or that is spins at 104,000 times a minute, which is faster than a Formula 1 car (a great comparison).

From a marketing and communications point of view, when you see Dyson’s ads, websites, or retail outlets, it’s clear that the products (or the engineering behind the products) are the focus for the Dyson brand. It’s not about lifestyle, convenience, or value, it’s a celebration of the innovation, engineering excellence and attention to detail.

Looking back on James Dyson’s journey, it is hard not to be impressed by his achievements and hope his story can inspire the next generation of entrepreneurs driven by their internal curiosity to ask; ‘why not?’ And a determination to meet with triumph and disaster and treat those two imposters just the same.

Sources:
https://www.dyson.ie/james-dyson

https://www.forbes.com/sites/gabbyshacknai/2022/06/11/inside-the-success-of-dyson-hair-and-its-decision-to-redesign-the-bestselling-airwrap-tool/?sh=42f723c43cc5

https://www.cascade.app/studies/dyson-strategy-study

https://en.wikipedia.org/wiki/James_Dyson

https://support.dyson.com.sg/fans

The post Issue 47: Q1 2024 appeared first on Tangible.